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Date : 2012-10-16
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Dissonant Divas in Chicana Music The Limits of La Onda ~ In Dissonant Divas Deborah Vargas examines the lived experiences musical contributions and performative transgressions that led a select group of women to not only break new ground as artists and reimagine largely maledominated canons of Chicano Tejano and Mexicano popular music styles but to challenge dominant notions of sound visibility and integration—
Dissonant Divas in Chicana Music — University of Minnesota ~ In Dissonant Divas Deborah Vargas examines the lived experiences musical contributions and performative transgressions that led a select group of women to not only break new ground as artists and reimagine largely maledominated canons of Chicano Tejano and Mexicano popular music styles but to challenge dominant notions of sound visibility and integration
Dissonant Divas in Chicana Music The Limits of La Onda by ~ In Dissonant Divas Deborah Vargas examines the lived experiences musical contributions and performative transgressions that led a select group of women to not only break new ground as artists and reimagine largely maledominated canons of Chicano Tejano and Mexicano popular music styles but to challenge dominant notions of sound visibility and integration—
Dissonant Divas in Chicana Music The Limits of La Onda by ~ Dissonant Divas in Chicana Music book Read reviews from world’s largest community for readers Musical sound has been central to heteromasculinist
Dissonant Divas in Chicana Music The Limits of la Onda ~ Dissonant Divas in Chicana Music focuses on the Texan monument of the Alamo and its association with Rosita Fernandez Tejano corrido folklore and its musical antithesis in Chelo Silva the female accordionplaying bodies of Ventura Alonza and Eva Ybarra as incompatible with the instrumental labor of conjunto music geography as national border
Dissonant Divas in Chicana Music The Limits of La Onda ~ Cathryn Josefina MerlaWatson Dissonant Divas in Chicana Music The Limits of La Onda by Deborah R Vargas Wild Tongues Transnational Mexican Popular Culture by Rita E UrquijoRuiz Performing the US Latina and Latino Borderlands edited by Arturo J Aldama Chela Sandoval and Peter J García Signs Journal of Women in Culture and Society 39 no 4 Summer 2014 10281032
Dissonant Divas in Chicana Music by Deborah R Vargas ~ Dissonant Divas in Chicana Music The Limits of La Onda by Deborah R Vargas ebook Vargas offers a feminist analysis of these figures contributions by advancing a notion of musical dissonance—a dissonance that recognizes the complexity of gender sexuality and power within Chicanao culture
Project MUSE Dissonant Divas The Limits of La Onda in ~ The book Dissonant Divas begins with the premise that canonical histories should be revisited relistened to and queered for new insightful meanings about gender and music Dissonant Divas introduces scholars of music sound Tejana and Tejano ethnic and queer studies to Deborah R Vargas the newest sheriff in town
SO Reads Deborah R Vargas’s Dissonant Divas in Chicana ~ Deborah R Vargas’s Dissonant Divas in Chicana Music The Limits of La Onda 2012 presents an alternate story of Chicana music through a collection of case studies in Chicanao music history centering on ChicanaTejana musicians active between the early decades of the 20th century to the present Vargas assembles a mix of archival documents interviews images songs recordings performances ephemera fragments memories and engages intersectional feminist theory and queer of color
Dissonant divas in Chicana music the limits of la onda ~ Dissonant Divas is high quality feminist academic By broadening and interrogating the archive of Mexican and Mexican American popular music Vargas restores a pantheon of Mejicana recording artists to their place at the center of a musical scene where artists contested the boundaries of gender sex and nation through innovative performance and subversive selfstyling
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