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Fiery Cinema The Emergence of an Affective Medium in ~ In a refreshing look at theories of affect and intermediality Fiery Cinema offers a rigorous examination of such cultural productions as martial arts film leftwing drama and cinema print publications and wartime propaganda and convincingly establishes cinema as a powerful affective medium of visuality performativity aestheticization

Fiery Cinema The Emergence of an Affective Medium in ~ It was in Weihong Baos term an affective medium a distinct notion of the medium as mediating environment with the power to stir passions frame perception and mold experience In Fiery Cinema Bao traces the permutations of this affective medium from the early through the midtwentieth century exploring its role in aesthetics politics and social institutions

Cinema Affairs Fiery Cinema The Emergence of an ~ Cinema Affairs Fiery Cinema The Emergence of an Affective Medium in China 19151945 by Weihong Bao Hiu M Chan October 2018 Book Reviews Issue 88 Although it is full of potential research on the cultural history of cinema in China has traditionally been a marginal practice

Fiery Cinema The Emergence of an Affective Medium in ~ Fiery Cinema The Emergence of an Affective Medium in China 19151945 Iggy Cortez 452ºF 14 2016 235238 Fiery Cinema The Emergence of an Affective Medium in China 19151945 Iggy Cortez 452ºF 14 “affective turn” while also striving to ground some of its claims into legible social aesthetic or technological formations

Project MUSE Fiery Cinema The Emergence of an Affective ~ By way of the recurrent trope of fire Bao enframes deframes and reframes early Chinese cinema amid China’s experiences of war between 1915 and 1945 as an affective medium a fiery cinema and a technology that was already conceiving its own future reincarnations

Fiery Cinema The Emergence of an Affective Medium in ~ These questions raised in a number of recent notable books on Chinese cinema are explored with exceptional critical rigor in Fiery Cinema The Emergence of an Affective Medium in China 1915–1945 With this study Weihong Bao breaks from both the conventional periodization and the exclusive focus on Shanghai that largely characterize scholarship on prePRC Chinese filmmaking

Weihong Bao Fiery Cinema The Emergence of an Affective ~ Fiery Cinema The Emergence of an Affective Medium in China 1915–1945 Minnesota University of Minnesota Press 2015 488 pp Angela Dalle Vacche Weihong Bao Fiery Cinema The Emergence of an Affective Medium in China 1915–1945 Critical Inquiry 44 no 2 Winter 2018 405406

Fiery Cinema — University of Minnesota Press ~ The Emergence of an Affective Medium in China 1915–1945 In Fiery Cinema Weihong Bao traces the permutations of cinema as an affective medium in China from the early through the midtwentieth century exploring its role in aesthetics politics and social institutions

Review of Fiery Cinema The Emergence of an Affective ~ 将电影视为一种“情感媒介”，一个能够搅动感情、塑造体验的斡旋环境，此书追述了这种情感媒介从20世纪初到20

Fiery Cinema by Weihong Bao · OverDrive Rakuten OverDrive ~ What was cinema in modern China It was this book tells us a dynamic entity not strictly tied to one media technology one mode of operation or one system of aesthetic code It was in Weihong Baos term an affective medium a distinct notion of the medium as mediating environment with the power to stir passions frame perception and mold experience